Seth Kantner and Doing the Hard Thing

Hard rain for a few minutes and then clearing, then downpours again.  I need more words for the different types of rain. 

For Humanities 120 this week Seth Kantner called in from Kotzebue.  He's the author of Shopping for Porcupine and Ordinary Wolves.  He is a natural talking to classes with his storyteller's tone, who is comfortable around a fire or a coffee pot, or on the phone with a friend.  He is self effacing but...I've learned, partly from self reflection, that self effacement often protects a healthy ego...which is what someone needs who pushes himself.  

Though his first book was fiction, I believe Seth Kantner is a truth teller down to his bones.  He is both more empathetic and tougher than almost anyone else I've ever met, which are both good qualities for a truth teller. (I hate the term "non-fiction writer")

You might already know this from his work...but he was born in a sod igloo some two hundred river miles from Kotzebue on the south side of the Brooks Range.  His parents were back-to-the-landers and he was raised wanting more than anything to be an Inupiat hunter but he was white. His books are almost romantic parables of the boy raised in the wild, if they weren't so honest and realistic about the harshness of the conditions.  He loved  the dogs that pulled his sled, he told us but a dog's life had no real meaning or value and was sacrificed at the first hint of slowing the progress of the team.  He admired nothing more than the old Native ways, but found hard times and ugly conditions along with the friendships in the village. The gift of his writing is that he says what he encountered and he doesn't color it up to fit anyone’s mythology or fashion, often it's brutal...and ugly.

Brutal on himself: he spoke to our class about his choices and why he made them after he left his home school environment in the wild, went to college in Fairbanks and Montana then came back to live near his old homestead, in the far north.  I asked him about the "sense of place" in his own writing, and he said characteristically,  "I don't really know about literary terms.  I just know that I don't really want to write about anything other than this place.  I've been to Sitka and it's beautiful.  I've been lots of places in the world now and they are interesting but they are not my country...they are not the place I can tell stories about...or write about I guess."  

I asked him to compare himself to his old homestead and what qualities did they share, he said,  "Wow...I don't know...disorganized, windblown, maybe...open to the elements.."   

"Remote?"  I suggested. 

"Yeah"  Remote...hard to get to, I suppose."  

Later we were talking about how he was raised and his life now.  He said,  "It was interesting,  I just remember that doing almost anything was hard...." (He mentioned there were no clocks and there wasn't the usual rush or time anxiety.)  "It was hard but I liked it that way and I still do.  I like doing things absolutely the hardest way."  He told the story of asking his wife if she wanted to go camping and she said,  "Yes, I want to go camping, but I don't want it to be hard,"  and Seth thought to himself,  "Why would I want to do that? You know, do it so it’s easy."    

We agreed that writing is hard.  I say that to Jan all the time when I'm working on something. Writing is hard.  Seth said he would much rather butcher a moose than write a paragraph for one of his columns for the Anchorage paper.  I don't feel that way...I'd rather write a paragraph than skin a moose....but I'd be happy to set aside any paragraph to have some good moose meat to eat. Yet, we are both dyslexic, and writing will always be hard.  Making the transition from the music we hear in a storyteller's voice to the little black marks on the page, is tortuous... particularly in the beginning.  It's hard to understand if you don’t have your brain wired this way, but for a dyslexic to spell correctly is like a blind person pretending to see. Certain things just don’t make it from the eyes to the brain correctly: words as collections of letters, faces into our memories, sometimes.  But the upside for the weirdly wired brains is that we hear music everywhere and we can remember it.  We can even see it sometimes.  But as I said...it's hard to explain.  

Seth is an extraordinary man with all of the talents and struggles of a dyslexic writer, and maybe his books are so great just because they were so frigging hard to write.  Why would he want to do something easy?  His books have gotten a lot of attention and they deserve it.  His photographs are stunning.  

He told our class how he loved it when visitors would come by the homestead: “It would be one thing if a bear came up and licked the window but if a visitor came by THAT was exciting.”  If you ever get a chance to visit with Seth Kantner you should take it, you can hear the tone of the visitor who has come by dog team to rest his bones and laugh. 

This is an extraordinary and authentic voice.  Find it in his two books and online.  He has surprises for you and he might challenge some of your assumptions about life in the north, but nothing good is ever easy I suppose. 

 

So much rain tonight

the gutters flow black as blood

under the street lamps. 

 

jhs--Sitka, AK 

 

 

 

 

The Storm and Pattiann Rogers

Storm blowing up tonight.  I was wrong, five boats went out on opening day from Sitka when the seas were big, but the wind had not built to what they are calling for tonight.  They went out and set in the big seas and are back already.  The prices are high right now and they have caught their quota at the good price and can sit out the storm with satisfaction.

Yesterday I wrote about crime and Bukowski.  The other theme that has always animated my writing is the world on the other side of my windows.  I've loved stories about animals and adventures ever since I was a kid.  I loved Greek and Roman myths, my parents always talked about the old world and my dad read the old literature aloud to me.  To this day I love the stories of transformation from human to animal and back again. The happiest times I had working was as a young man working with horses and mules.  

I've always loved the poets who took nature as their theme. One poet I've stuck with over the years is Pattiann Rogers.  Born in the south and living in Colorado now, she has a genius for language that matches the complexity and density of experience.   She is no wide-eyed schoolgirl when it comes to nature.  Check out one her most popular poems:  

The Hummingbird: A Seduction

If I were a female hummingbird perched still
And quiet on an upper myrtle branch
In the spring afternoon and if you were a male
Alone in the whole heavens before me, having parted
Yourself, for me, from cedar top and honeysuckle stem
And earth down, your body hovering in midair
Far away from jewelweed, thistle and bee balm;

And if I watched how you fell, plummeting before me,
And how you rose again and fell, with such mastery
That I believed for a moment you were the sky
And the red-marked bird diving inside your circumference
Was just the physical revelation of the light's
Most perfect desire;

And if I saw your sweeping and sucking
Performance of swirling egg and semen in the air,
The weaving, twisting vision of red petal
And nectar and soaring rump, the rush of your wing
In its grand confusion of arcing and splitting
Created completely out of nothing just for me,

Then when you came down to me, I would call you
My own spinning bloom of ruby sage, my funneling
Storm of sunlit sperm and pollen, my only breathless
Piece of scarlet sky, and I would bless the base
Of each of your feathers and touch the tine
Of string muscles binding your wings and taste
The odor of your glistening oils and hunt
The honey in your crimson flare.
And I would take you and take you and take you
Deep into any kind of nest you ever wanted.

 

All I can say is Wowza!  Nothing Mickey Spillane ever wrote was so sexy.  Though to be fair to Mick, he never tried from the point of view of a hummingbird.  Pattiann Rogers is an extraordinary poet who is incredibly vigorous and funny.  I guess by vigorous I mean that she accepts no limitations to her imagination and to her manners.  If someone suggested that a subject or a tone was not appropriate for a poem, she would run straight toward it.  Difficult scientific concepts attract her, philosophical wit, tradition, and the avant garde attract her. She is not "correct" in any way, but is dedicated only to her delight and passion for praise, praise for the complex and and interconnected world we find before us.  One drop of her work may be an antidote to a volume of Bukowski's.  This is not to compare the two for there is no reconciling the two, that may be what I try and do in my odd crime novels.  No, Pattiann Rogers is open to the new and is as stubborn as a rusty valve.  There is nobody else like her, out there writing poetry.  

I've heard that there are a group of women who gather early in the morning once a year to roll naked in the morning dew.  Where?  I do not know.  But I like to think that their ranks are growing, and that they are is testament to this extraordinary early poem: 

 

Rolling Naked in the Morning Dew

Out among the wet grasses and wild barley-covered
Meadows, backside, frontside, through the white clover
And feather peabush, over spongy tussocks
And shaggy-mane mushrooms, the abandoned nests
Of larks and bobolinks, face to face
With vole trails, snail niches, jelly
Slug eggs; or in a stone-walled garden, level
With the stemmed bulbs of orange and scarlet tulips,
Cricket carcasses, the bent blossoms of sweet William,
Shoulder over shoulder, leg over leg, clear
To the ferny edge of the goldfish pond—some people
Believe in the rejuvenating powers of this act—naked
As a toad in the forest, belly and hips, thighs
And ankles drenched in the dew-filled gulches
Of oak leaves, in the soft fall beneath yellow birches,
All of the skin exposed directly to the killy cry
Of the kingbird, the buzzing of grasshopper sparrows,
Those calls merging with the dawn-red mists
Of crimson steeplebush, entering the bare body then
Not merely through the ears but through the skin
Of every naked person willing every event and potentiality
Of a damp transforming dawn to enter.

Lillie Langtry practiced it, when weather permitted,
Lying down naked every morning in the dew,
With all of her beauty believing the single petal
Of her white skin could absorb and assume
That radiating purity of liquid and light.
And I admit to believing myself, without question,
In the magical powers of dew on the cheeks
And breasts of Lillie Langtry believing devotedly
In the magical powers of early morning dew on the skin
Of her body lolling in purple beds of bird’s-foot violets,
Pink prairie mimosa. And I believe, without doubt,
In the mystery of the healing energy coming
From that wholehearted belief in the beneficent results
Of the good delights of the naked body rolling
And rolling through all the silked and sun-filled,
Dusky-winged, sheathed and sparkled, looped
And dizzied effluences of each dawn
Of the rolling earth.

Just consider how the mere idea of it alone
Has already caused me to sing and sing
This whole morning long.

- PATTIANN ROGERS

 

She has tons of books.  Find them and buy them.  They will change your life.  If you get a chance to hear her read do it.  Drive a couple of hours if you have to.  Take your sweetheart and get a hotel room.  It is worth it.  There is a lot more laughing at one of her readings than at a showing of American Pie III  Really there is, she is funny.  If you want to see your sweetheart blush, call out for the Hummingbird poem, and tell Pattiann that I told you to do it, and she'll get a laugh out of that.  

 

A good storm blows in.

Lanyards rattle the flag poles.

Come, let me hold you. 

 

 jhs--Sitka 

Crime and Charles Bukowski

 

Hard Rain, off and on all day, 30-foot seas offshore and the longline fleet is waiting to set their gear to begin the black cod season.  Soon people will be cutting black cod collars in town and soon the barbecues will be heating up.

Trial is over, our client was convicted. The charge was a misdemeanor assault and frankly no one was shocked at the verdict, including our client.  The case involved a late night brawl out in front of a local bar, some serious injuries.  Our client ended up hugging his victim in the hall of the court house.  There will be years of medical bills, which will need to be paid, and alcohol programs to go through, and the imperfect system grinds its way slowly on.  

I've been thinking about how I can write about my job on this blog and it really seems that I can't.  I owe my clients absolute confidentiality. The trial and its verdict, what happened in the hall was public, but if I try to change names and fictionalize characters, the contemporaneous aspect of a blog might lead some of my clients to believe I was writing about them even if I never intended to.  So,  I'm going to stay away from any of the day-to-day real crime stories from my job.  It's too bad because I learn so many things.  

I started out working a murder case back in 1984,  for many years I had a minor specialty of crimes on boats.  I worked several homicides on fishing boats.  I have worked several full time stints for the Public Defender Agency and have been hired away by private attorneys for cases.   I worked for DEC as an Environmental Crimes Investigator when we lived in Fairbanks when Jan was going to graduate school.  I covered the North Slope and I carried a badge, the only time in my life.  

Mostly I've defended people whose life has been blown to shreds by alcohol and/or drugs.  I've sat in countless cells with men mostly, but several women... and tried to help them piece their memories back together after they have done unspeakable things to people they loved.  Alcohol and impulse...access to guns.  Trying to put their lives back to the twisted "normalcy" that their childhood had been.  People, who to everyone else seem to be afraid of happiness and health and are drawn to despair. These are often the people that I serve,  that I work for.  

There was a good article in the Los Angeles Times today about Charles Bukowski, the poet immortalized by the film Barfly, and often considered the Bard of the Gutter.  Find it here: 

http://touch.latimes.com/#section/-1/article/p2p-79556902/

Many young men of a certain temperament fall under the sway of Bukowski  their first year of college. I was of that temperament: down with the working class but with a sensitivity and erudition that kept me heartbreakingly apart.  Of course for me it was a pose, for Bukowski it was his life,  imposed on him by tough circumstances and then ironically embraced when it brought him fame, booze, a house, women, and open access to a ready publisher.

He has published so much, and so much of it is good,  but so much of it is the same.  Much of his work contains the boozy narcissism of the alcoholic genius stewing in his own juices: He is smarter and more sensitive than all those smooth skinned bastards who hurt him in the past. Fuck them. Stay with me and hear me ruminate on the death of our sick culture's minor gods.   

His achievement is that he has dialed his drunken ranting into poetry that fits into the western canon and he made it understandable...a few degrees to the right or left and he would be talking another kind of gibberish (alien abductions or black helicopter conspiracies) like the guy on the next bar stool.  What he did is a miracle really, as if he possessed some kind of microphone that filtered out insanity.  Because he clearly came from that place...a festering breeding-ground of craziness.  

So many people reach the same place and only have the strength left to pull the trigger. 

 

Hard rain all day long

not even the dogs go out

for more than a piss. 

 

jhs--Sitka, Alaska

 

Jury is out

Had a trial the last two days and the jury is out. I can't tell you the details other than I'm tired tonight.  I have a lot I'd like to tell you but I can't.  I'll stick to poetry for another night instead.  

The road to our house is hard to navigate,  yetour dogs are friendly. 

The road to our house 

is hard to navigate,  yet

our dogs are friendly. 

Beauty/Memory

The first day of March. The snow is a smooth crust in our yard, but in the north corner near one of the tallest spruce trees it was a warm springtime.  Jan and I sat out there for a spell this afternoon.  She has a cold and I was tired.  We had cleaned house and sorted our recycling.  I was getting myself together to sign books at the local bookstore at three. But sitting in the wobbly plastic chairs in the sun for the first time in months I didn't want to go anywhere.  It was exquisite with the sun reflecting off the snow and the heat on our faces.  We are sixty, is that why these moments feel so fine?  Is that why I want to stretch them out?  A few more moments...just a few more moments. 

But I got up and took the recycling in.  Jan didn't want to go.  Her cold had gotten the best of her.  She hadn't taken her medication for her Parkinson's and she wasn't moving well, so I blasted off and I packed my good clothes to change at the store because I was running late and I would get smelly dumping the beer and wine bottles from our tree-burning party that were in the recycling.  

To tell the truth I wasn't looking forward to the local signing.  My hometown signing is always emotionally loaded for me. These really are the people I want to like the book.  This is my audience, if I have one in my mind, other than my siblings.  So...if they don't come out I take it personally.  I know I shouldn't.  But I do.  Another big problem was there was a big event scheduled at the same time, the very popular, Wearable Arts Show!  So...big draw for the likely readers.  Jan calls me Eeyore when the local signing comes around because I tend toward pessimism. 

But I have another problem with the hometown signing: tension, memory, and my terrible spelling all conspire against me.  Here's how it works:  I have a hard time with names, I can't spell, I get anxious about it.  I see someone in line, I know their name, but then as they walk up I start to freak out and their freaking name flies out of my head.  I panic. I try to cover and I say,  "Help me with how to spell your name," and they inevitably say,  " B... O... B"  and I say something like,  " Oh the American way, not the French Canadian way?"  and move on quickly.  

This time there were people lined up who I have known for thirty years at the book store. I knew all their names perfectly well but that wouldn't matter because for some stupid reason as soon as they walked toward me with a book my mind would go blank.  So, I  took no chances.  I announced to them that on the way over that I had suffered a severe head injury and that I would appreciate if when they came up to the table if they would all tell me their names and if they were buying books for someone else could they please write the names down on little stickies (which the bookstore provided) so I could spell the name correctly.  I thought about wearing a gory bandage but hadn't prepared adequately.  

The signing went swimmingly. I reminded Ashia, the kind bookstore manager, about my recent head injury and to keep telling the customers to tell me their names and everyone, even people I owed money to and had just seen that afternoon at the recycling center, came up to me gently and touched my hand and said, "John you are doing so well, are you sure you don't need a rest?"  and I bravely pushed on and inscribed a book for them as if I were on the fields of Flanders.  It was great.  

I spelled most of the names correctly.  I got one Kristen or Kirsten wrong but that name is fucking impossible anyway.     

I had a lovely time, and I remembered what is great about doing this.  Next to  alcoholism whining is the biggest occupational hazard.  Writers love to complain.  I have done my fair share of it.  I used to complain about how writing is so much about delayed gratification.  You write and you never feel the satisfaction.  When you play in a band and perform at the Moose Lodge you get to see the people dance and as a musician you feel GREAT.  But when you spend years writing a book you end up with a stack of papers and you just look at it and then ship it out in the mail.  

Not today.  Today when people came to the bookstore on a wonderfully sunny day, when they snuck out early from the Wearable Arts Show, when they told me their names, even though they knew I didn't have a head injury, when I could see in their eyes they were looking forward to reading a story I had written, when a native woman told me she was buying a book for her 87 year old mother who had read all of my books and just had to have my new book, and when I told her that I had based a character on her nephew she clapped her hand over her mouth and giggled in a very old way that I instantly recognized as a family trait I was overwhelmed and grateful, grateful, grateful.  And I was nothing but happy that I that I had chosen to be a writer today. 

Crusty snow, warm sun 

we sit in rickety chairs 

and you hold my hand. 

jhs--3/1/2014  Sitka 

 

Should I Have Listened To My Mother?

Another fine sunny day in Sitka.  Cold, but clear, no snow melt yet.  All the shop keepers and the people in the coffee shops commented on the weather as if we had been given a gift.  

Today (2/25/'14) in the Wall Street Journal, an old high school friend, Ralph Gardner, wrote in his column, a nice story about our old English teacher, Joe Moriarty.  Joe was a black Irishman who drank to excess and was larger than life in our eyes.  He was wild and mercurial.  He let me read my writing aloud and caused me to fall in love with poetry.  He allowed me to find the rhythm and flow in language and to circumvent the dyslexic side of my brain from gumming up the music that words could make.  That tonight I am here typing rather than in a bar or behind the wheel of a long haul truck, or on the bandstand with a country band somewhere I think is due to Joe.   He was the hero to many of us.  He made doing well in school seem rebellious, which was important in the mid sixties and kept many of us in school.  

I'm grateful to Ralph for writing such a fine piece in such a prominent paper.  You can see it here: http://www.ralphgardner.com/articles/column/  But I have to wonder why he felt that he needed to use our yearbook photographs and reprint them in the Wall Street Journal?  

I remember my mother begging me to get my hair cut before the yearbook photos were to be taken in 1971  but would I?   No...of course not.   I think I even remember her saying words to the effect of: "There is going to come a day when you are going to look back on those pictures and, you know, fashions are going to have changed...."  Well you can guess the rest.  Today those pictures were distributed to the readership of the Wall Street Journal.  I don't know what their readership is, but I'm guessing somewhat more than the Daily Sitka Sentinel, and I would have paid GOOD MONEY to keep those photos out of the Sitka paper.  You can judge for yourself, but let's just say: Bozo the Clown with a bad part down the side.

Anyway... is today the day I'm embarrassed by my youth?  

Well...All I can say is this:  I hope I didn't cause my mother any real anxiety, but somehow I think she had more important issues to worry about in 1971,  besides my hair. The truth was I was doing all right, Joe Moriarty and my mom had taken good care of me, and even though they are both years gone now, they both take good care of me to this day.

I have lots to be embarrassed by, but the hair is the least of it.  Then...and now. 

 

Cold Day, north wind blows

and a few white caps stack up.

Tears come to my eyes. 

jhs--Sitka,  Alaska 

 

Home: 2/23/2014

Home in Sitka.  Beautiful clear blue sky. Twenty-five degrees. Four inches of icy snow on the ground.  Home to warm up the house, do laundry.  Pat the dog.  Walk in the snow with our friends, play the mandolin at the Larkspur, Sunday at noon, read the mail and fold clothes. Jan always works harder than I do.She shoveled the deck and made a million calls reestablishing herself back in town.  I lay on the couch and reestablished myself with Porter the old neighbor dog who can hold five tennis balls in his mouth at once.  He is quite proud of this trick and he loves to show it to me.  I could watch it all day.  

I love traveling but I love coming home.  

The reading in Seattle went well and the signing at Seattle Mystery was great fun.  What a great store that is.  Independent stores have wonderful staff; book people who do it for the love and make their stores unique community centers.  What will become of them in the future I wonder?  I'm not sure. 

Next thing on my to-do list is to put a bunch of pictures from my trip up on this blog.  Stand by for that, and look forward to the upcoming (not so true) crime edition of the johnstraley.com blog entries once I get a legal opinion from my bosses on how to manage that with my work.

Thanks for any of you who follow and please keep checking back.  I promise to keep bringing back new and different stuff.  And I promise to correct my typos. 

 

Hard ice underfoot,

alder limbs against blue sky.

Here... hold my hand. 

 

jhs   Sitka,  Alaska 

Book Tour 2014: Seattle.

Left the desert at sunrise and drove to the airport in Palm Springs.  No time for breakfast but we saw some egrets flying above the fields.  Also saw a dead coyote along the side of the road with some ravens on the wires over head.  Tricksters honoring a Trickster, or at least I like to think.  

Back in Seattle staying with my brother Hugh and his beautiful wife Linda who made us a wonderful dinner as always and set us up with a little office in their apartment building where we taught Humanities 120 again.  Tonight we finished off old John Haines and had a fine conversation with one of our students who is a young woman who lives on a reservation in eastern Oregon and we talked her through some of her ambivalent feelings about her land that she loves, because it is where her people were moved by force.  We talked about how the "Humanities" covers some of the horrific things that human beings have done to one another.  We talked about how "sense of place" was not always seeing landscape through rose-colored glasses and nature as beautiful but place as the setting of heartbreak and coming to terms with grief, and injustice.  We talked about how different types of faith could play a role in how we perceived our "sense of place." 

The second hour we visited with Heather Lende from Haines, and Heather talked about her coming to Alaska.  She talked about the dangers of writing about difficult and emotional subjects in a small town and how her faith guides her.  She essentially boiled it down to "Try to love everyone."  

Heather is a wonderful woman, and she deserves her success.  Her books,  If You Lived Here, I'd Know Your Name, and Take Good Care of the Garden and the Dogs,  should be on everyone's bed side table.  I travel a great deal and I meet many people who want to write books about the towns they live in.  Most of them don't know how difficult it is.  Heather didn't either at first,  then she did.  But then she did the amazing thing...she kept at it and did the tough work of keeping at it until she got it right,  by trying to tell the truth and by trying...trying to love everybody.  Now...she is not perfect and she is not a priss or a Pollyanna,  She has some pepper in the mix, that's what makes her lively, and she is not universally loved, but hell...I first met her working on a murder case thirty years ago and I love her because she at least would talk to me when no one else would...and she still does.  

 

I'm tired...and I better go to bed.  

 

Seattle, cool night,

who built this Ferris wheel here? 

The Circus in town? 

Book Tour 2014: The "Literary" P.I.

Around 1984 I lost my job as the Cabins and Trail Crew Boss for the Forest Service in Sitka.  It was a sweet job; Wage Grade, in the federal service, which was very good money, enough to work nine months back then and play for three.  Lovely.  After I lost that job I spent a while writing a book at the Sitka Pioneer Home,  I also got a job working for a young lawyer working as his investigator.  He didn't want an ex-cop.  He wanted someone he could train from the ground up.  He and I were friends and we talked about story telling.  We talked about how his job was telling a jury the story of this client's position.  It was a true story that the other side had often overlooked.  My job was to go out and discover the facts that other people had forgotten to ask about.  I became a private investigator.  I had a degree in English from the University of Washington.  I was dyslexic.  I had a certificate in Horseshoeing from Central Wyoming College,  I had been a wilderness packer and guide.  I could pack a mule carrying a decker saddle and throw a diamond hitch on a sawbuck saddle.   I could make sourdough biscuits on a clean shovel in a fire... but I knew nothing about being a Private I.  Yet...I was anxious to learn.  

I had read Chandler and Hammett.  My father and mother were HUGE mystery fans and had talked all my life about Mickey Spillane and Travis McGee.  They could down two a week.  I started packing a bottle of bourbon in my suitcase.  My boss forbade me a gun, assuring me that if I ever...ever shot anyone that I would serve 99 years in prison no matter what the circumstances.  NO MATTER WHAT THE CIRCUMSTANCES!  Simply by virtue of who I was working for and who I was.  The police investigators would cut me no slack what. so. ever.  

Soon enough I discovered that the bourbon was cause of headaches and vomiting.  It was called being an alcoholic and I didn't like it, I was going to lose my job, I was going to wreck my marriage and my life was going to turn to shit.  This didn't work.  I quit that and I had good success with the young lawyer...there is enough heartache and suffering in crime without inviting it in by being a drunk.  We won cases...well, he did and I helped him.  I took on other cases and I helped other lawyers win difficult cases.  I discovered something that comes back around the the subject of this blog: 

The P.I. of fiction has a proud and long literary heritage.  They come to us all the way down from Satan in Milton's Paradise Lost, through Lord Byron's rowdy heroes, to Edgar Allan Poe's sleuths:  the fallen angels, the tarnished knights, the lonely cowboys turned gunslingers on the wrong side of the line, the hooker with the heart of gold.  They come from the shadows...the noir...they are of  the shadows... 

Now the only point I want to make here is that they ARE A LITERARY DEVICE!  They are great devices.  Writers love them because you can send a Private Eye anywhere, across class lines, across gender lines, they make great travel guides and great teachers.  Private Eyes will go down in that dark basement without question and without straining credibility. They are the best literary device ever!  

But when I started doing the real work of gathering, examining, and explaining information to be used in criminal litigation  I found that I had nothing in common with the real work of P.I. work and the Literary Device work of Literature.  One big difference:  real crime was terribly sad.  What specialized piece of equiptment do I use most often in my work?  The tissue dispenser.   Most people cry when they come to my office.  Do they deserve it?  Who am I to say?  I don't know... they are witnesses most of them...family members of the accused....family members of the victims....victims.... I'm not in the business of sorting out what people deserve.

Now, there are folks that don't like my writing that say I'm all hoity toity (sp?) and am too  literary  and I don't begrudge them that.  I think what they mean is that I don't write to the formula of a conventional mystery. But here is the truth and I'm not bullshitting you, I don't know what the formula of a conventional mystery is...I suppose that's a terrible thing to admit.  But I've never read what I've considered a conventional mystery, and what I do is the opposite anyway.  I'm trying to think beyond the literary conventions in my novels into something new, and I do that because that's the only way I know how to make it interesting.  Any other way would be like doing homework, and God knows I've had enough of that.  

 

Wind in the orange groves

rows of trees with heavy limbs:

trying to sweep up. 

 

jhs---Borrego Springs, CA

 

 

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